i knew tina fey was golden back when she first started doing "weekend update" on saturday night live. because i never thought that segment was funny. ever. and suddenly, with her and amy poehler, it was the best part of the show.
and now she is even more golden with her sarah palin riff. and rumor has it that sarah palin herself will be on the show tonight. well, that's ok...i'd rather just watch tina as sarah.
i have watched SNL off and on for as long as i've been allowed to stay up late. we're talking back in the jane curtin/chevy chase days. sometimes it's been great, sometimes it has sucked eggs, and lots of times it's just been unbelievably idiotic. but it's as american as apple pie and baseball, as far as i'm concerned. which explains why i absolutely, positively had to see the show one saturday night many moons ago, when i was in new york city. on a saturday night. at 30 rock - which is rockefeller center. with my cousin sue.
of course, there was the small detail of not having tickets. and a line in the lobby that twisted all around the elevators. some people would see this as a problem. we, being young and confident, saw it as a minor inconvenience.
so when the line started loading into an elevator, we just jumped in front of someone else and got right on. it was packed. and the doors started to close. and a voice said to us,
may i see your tickets? oh. i looked at susan, and she starts rummaging in her purse, stalling for time. needless to say, it's hard to find tickets you do not have, so we were escorted
off the elevator. and get this: we were escorted by a girl who recognized me from college, in a remote middle-of-nowhere kind of place, thousands of miles away. she was an NBC page. and while she was happy to see me, it did not get me onto an elevator.
back to square one. plan b: we next searched for, and found, the freight elevator. this time we were ready. susan, who is by far the best bullshitter of the two of us (she works for the u.s. government, after all), told the attendant quite convincingly that she worked in the building and had forgotten her badge, that we just had to run back to her office and grab something, so sorry for the inconvenience but we just couldn't wait for the main lobby elevators. and presto, we were on our way up.
next challenge: 30 rock is a very big building. and we had no idea what floor saturday night live was on. it was a real hit and miss kind of deal, in which we spent the better part of the next hour picking floors at random, wandering around, and getting back on. by this point, we could ride the regular elevator. we kept listening for applause, looking for signs (shouldn't there be signs, for god's sake?), searching for clues. and then, we found some offices. some big, important, unlocked, VP of NBC kind of offices. and we got a name, and a card, off one of the desks. and then we heard the show, only it was coming through a monitor, in a very big office, where sat a very important looking man. and in we marched. and down we sat. and up he looked.
and susan, my girl, plopped the card down on his desk, spewing forth her story that "frank" was our uncle and had invited us to come see a live taping of SNL, only there had been some misunderstanding and we had lost our tickets. or some such massive bs. and the guy is looking at us like, you have got to be kidding me. and he picks up his phone for what is surely a call to security, and tells someone that he has two stowaways in his office and can they please come get us.
uh-oh. and take us into the show.
what? he laughed and gave us credit for chutzpah. because let me tell you - YOU try to find a show in what is a 70-something story building. yeah. good luck with THAT.
and so we were taken into more elevators, and walked down many hallways, into a darkened LIVE FROM NEW YORK studio, and were left to watch what precious little was left of the show. because it took damn near an hour and a half to find it. and i still to this day can't tell you what floor it is on.
and when the theater was emptying, we went not in the direction of the exiting crowd, no. we had worked too hard to get there. next we were going to find the cast party and crash it too. and it took awhile, but not as long as you might think. and in we walked, and there was al franken eating a sandwich, and everyone kind of looked at us like, who the hell are you? and we smiled, and they stared, and we left. because really, isn't there a limit to how much adventure you can have in one night?